Song: Halloween Artist: Siouxsie and the Banshees Album: Juju Guitarist: John Mcgeoch Intro/Bridge riff - Played with sharp distortion and chorus e|------14------14----14-----14-----16-----16-----14----14----| B|------13------13----13-----13-----15-----15-----13----13----| G|------14------14----14-----14-----16-----16-----14----14----| D|---00-----00-----00----00------00-----00-----00----00-------| A|------------------------------------------------------------| E|------------------------------------------------------------| Verse riff - Arpeggio w/ reverb and chorus This is a bit tricky to play. Its easiest if you move the 2nd finger to the high e to the sus4 note unless you have mad stretching skills. e|------3----- e|-------0-----0---| B|-----7-7---- B|-----------------| G|----0---0--- G|-----0-----0-----| D|---4-------- D|----4-----4------| A|------------ This alternates with this A|---5-----5-------| E|------------ E|-----------------| Dsus4 "Trick or treat! Trick or treat!" 2nd Bridge riff - Distortion and chorus e|-------------------------------------------10---------------10-------| B|------------------------------------------9----9--9-------9---9-9----| G|---1212/1414/1515\1414\1212/14/15\14----10------10------10-----------| D|----x-x--x-x--x-x--x-x--x-x--x--x--x---------------------------------| A|---1010/1212/1313\1212\1010/12/13\12--8---------------8--------------| E|---------------------------------------------------------------------| Theres also a riff he plays over the arpeggio in the 3rd verse. Reverb and chorus again. e|--------------------------------| B|--------------------------------| G|--------------------------------| D|---0-12-0---10-00-12-0---10-----| A|----------12-----------12-------| etc. E|--------------------------------| For the outro one guitar plays the above lead riff while a 2nd guitar plays these (this is not the rythymn): e|----------| B|----------| G|---7--5---| D|---x--x---| A|---5--3---| E|----------| Then its the bridge riffs again and then finish! Awesome gothic tune and a great example of Mcgeoch's innovative approach to chords and licks.